| welcome to A Glossary of Iconography S-V |
Sabas |
Sinai Monk |
Sabbas |
A Hermit |
Scenae Frons |
Architectural background, based on the scenery of the Roman theatre |
Schema |
Name given to icons of a similar nature |
Sebaste panel |
Famous Icon, now in Berlin, depicting the Forty Martyrs of the Sebaste who were put to death by exposure in icy water |
Sella curulis |
A Roman Seat |
Septagon |
Seven Sided |
Septimus Severus |
Roman Emperor (193-211). Depicted on the most famous funerary art, believed to have heavily influenced the visual appearance of iconography. |
Sergiusi |
Patriarch. During the defence of Constantinople in 626 gave orders that the Virgin with Christ was to be painted on all the gates on the West side of the city |
Servuc Christi |
Description of Justinian II on coins between 685-695 and 705-711 |
Severian of Galla |
d. after 408. One of the first to record the true function of an icon, referring to an image of Constantine. " The image of the emperor replaces him while absent and the people revere it, honouring not the image but the person of the Emperor |
Soldier Saints |
George, Procopius, Theodore and Demetrius |
Sopocani |
Monastery in Serbia |
Sotir |
Saviour' |
Squinches |
Small arches built across the corners of a rectangular structure to convert the upper part to an octagon, or circle. |
St Antipas |
First Century Martyr venerated as the first Bishop of Pergamus |
St Apollinaire Nuevo |
Church in Ravenna |
St Apollininare |
Church in Classe, Nr Ravenna |
St Augustine |
(5thC) Opposed to the depiction of the Divinity. Tells of Marcellina who worshipped Christ, St Paul, Homer and Pythagoras, burning incense before their images |
St Basil |
330-379 Greek Church Father |
St Catherines |
Mount Sinai Monastery |
St Demetrius |
A soldier Saint - Patron Saint of Thessalonika |
St Demetrios |
Church in Thessalonika |
St George |
A soldier Saint |
St Gregory of Nazianzus |
329-389. |
St Hermylos |
Drowned (Calendar Icon, Sinai) |
St John Chrysotom |
Greek Church Father |
St John Climacus |
Abbot of Mount Sinai Monastery who wrote a treatise at the end of the sixth century about the virtues and vices in thirty chapters. Symbolised in iconography by the heavenly ladder of divine ascent - with the thirty rungs a monk must climb to reach heaven |
St John of Dam |
Wrote a description of the icon as a resemblance of the subject, showing his bodily features but not his spiritual qualities. |
St Maria |
loc. Trastevere |
St Michael |
Archangel. Feast Day September 6th, celebrating the miracle at Chone |
St Pancras |
Martyred in 304 |
St Sava |
The first Serbian Archbishop |
St Simeon |
(Stefan Nemanja) Father of St Sava and the first Serbian Saint. Founder of the Royal Nemanjic Dynasty |
St Stratonikos |
Drowned (Calendar Icon, Sinai) |
St Tatiana |
Died by the Sword (Calendar Icon, Sinai) |
St Theodore |
A soldier Saint |
St Theodore Teron |
Burned to death (Calendar Icon, Sinai) |
St Timothy |
Beaten to death (Calendar Icon, Sinai) |
Sta Maria Antiqua |
Roman centre of icon painting |
Steatite |
Stone, used for carved icon in place of Ivory |
Stephanos |
One of the earliest known signed icons - around 1200ad is by Stephanos. The icon is from St Catherine's |
Straight entablature |
Rows of columns supporting arches dividing the nave of a church from the aisles |
Stroganov Painters Manual |
Late 19th Century Russian treatise on icon painting |
Stucco |
Plaster or cement coating over stone or brick. |
Suppedaneum |
The supporting ledge on the cross, on which Christ stood during crucifixion. |
Synaxis |
An assembly usually of the Apostles, or of the Archangels - a feast celebrated in the Orthodox Church on November 8. In Greek churches, a public meeting for worship. |
Synthronon |
Benches reserved for the clergy |
Tablion |
the inset square in a chlmays, a ceremonial garment |
Tempera |
Pigments of paint contained in a medium of egg yolk, mixed with, (or tempered by) water. It I fast to dry and gives a hard, translucent finish |
Templon |
A wooden panel extending the length of the architrave beam. |
Tepidarium |
Room in a Roman Baths between the hot and cold in temperature |
Terre Verte |
Flaming Vermilion' Colour made from mercuric sulphide |
Tesserae |
Small cubes of coloured marble, stone or glass from which a mosaic is made |
Tetrapyle |
having four gateways |
Tetrarchy |
Government by four rulers governing four different areas of the same state at the same time |
Thekma |
(60) The teaching that Christ had two natures but one divine will, proposed by Patriarch Serguis I. |
Theodora |
Mother of Emperor Michael III, she officially proclaimed the establishment of the cult of icons in 843 brining an end to the age of iconoclasm. 'The Triumph of Orthodoxy' |
Theodore Metochies |
Humanist, d.1335 |
Theodore of Antioch |
Church Historian d. 466 |
Theodore Poulakis |
Icon Painter - 17th Century Italo-Greek |
Theodore Suncellus |
An eyewitness to the siege of Constantinople in 626 |
Theodosius |
In the 6th Century he prayed to the figure and face of Christ impressed on a pillar in Jerusalem. |
Theodosius II, Emperor |
(379-395), noted opponent of pagan cults |
Theologian |
Student or teacher of Christianity |
Theophanes the Greek (Cretan) |
Icon Painter. Actually came from Constantinople. See links |
Theophilactus Simocrates |
Early 7th Century Byzantine Chronicler. recorder that in 586 an archeiropoietos was raised in battle against the Persians on the River Arzamon |
Theotokos |
the Virgin, the Mother of God |
Thermae |
Roman Baths or springs often grand in scale |
Thorakion |
Shield-like drapery, clothing of an empress |
Timotheos |
Bishop featuring in Sinai Koimesis Icon |
Tondus, tondi, tondo |
Circular painting or relief |
Transept |
In a cruciform church, the 'arms of the cross'. The section of the church projecting to the north and south which separates the choir or apse from the nave. |
Transfiguration |
Christ's appearance in radiant glory to three of His disciples |
Trefoil |
A symmetrical shape formed by three lobes |
Trier Psalter |
Miniature icon from Pecher to which further miniatures were added whilst in the possession of Gertrude, wife of Grand Prince Izyaslav of Vishgorod |
Triptych |
An icon in three parts or three icons joined or hinged together to form a complete work |
Tufa |
Common Roman Building stone. Volcanic with a coarse, porous texture. |
Tympanum |
Space between the lintel of a doorway and the arch above it |
Typikon |
A rule or method. A typikon dictated how icons were arranged in a church and varied according to region |
Umileniye |
(Russian - merciful or compassionate) Icon of the Virgin and Child where the baby Jesus presses His cheek against the cheek of His Mother. |
V/VI Council |
Held in Constantinople in 692, decreed that artists should not depict John the Baptist pointing at a lamb, but in future should depict Christ in human form |
Vault |
Stone roof or ceiling |
Virgin Glykophilonsa |
Type of Icon - information required. |
Virgin of Vladimir |
The holiest and possibly most famous icon of Russia, yet painted in Constantinople around 1131. |
Virgin Orant |
Icon - Now in the Victoria and Albert Museum, London |
Vishgorod |
(Kiev) |
Vladimir-Suzdal |
School of icon painting, reflecting the Greek idea of the icon as a reflection of the otherworldly |
Volumen |
Scroll |
Voussoirs |
Wedge shaped blocks forming an arch |
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This page is always being updated
February 20, 2000