| welcome to A Glossary of Iconography D-F |
Dalmatic |
A wide sleeved long, loose clerical vestment , open at the sides |
Danil |
Icon Painter - worked with his fellow monk Andrei Rublev |
Deesis |
The Supplication. A triad of figures - Christ flanked by St John the Baptist and the Virgin |
Demi-column |
Column set into a wall or pier so that only half protrudes |
Diaconicon |
A chamber used for storing vestments, books and vessels for use at the altar of a Byzantine church, usually found at the south of the Sanctuary |
Diaspora |
The dispersion of the Jews |
Diocletian |
The 'Godless King' featured defeated on 11th Century icon from Sinai |
Dionysius the Areopagite |
Bishop featuring in Sinai Koimesis Icon |
Diptych |
A double Icon - made of two icons, usually hinged in the centre |
Dmitar |
Icon painter, 16th Century Macedonia |
Dodecaorton |
An icon representing the twelve major feasts of the Deesis |
Doodotis |
Christ Zoodotis - 'Giver of Life' |
Doric |
The firs order of Greek Architecture. Identified by a thick column, plain capital and no base to the column. |
Dugento |
A type of Italian Art |
Dumbarton Oaks |
Icon Collection in Washington DC, USA |
Dura-Europos |
Small fortified town on the Euphrates besieged by Parthians in 265. The Romans built en embankment of soil and rubble, preserving a 3rdC church and synagogue. |
Ebagrius Scholasticus |
d. 600. He reported that the 'Palium' image saved Edessa during the Persian siege of 544 |
Ebaragus Scholasticus |
The first to describe Christ's image as an apotropaic symbol - from archeiropoeitos 'made without hands' |
Edessa |
Town on the Tigris |
Eikon |
Literally 'image' from the Greek 'Eikon'. Generally taken to mean a Holy Image - not necessarily a painted wooden panel, but includes all forms. Differentiated from religious art by the veneration awarded. |
Ekphrasis |
Work by Nicolaos Mesarites, a 12th Century writer who described the lost wall mosaic in the Church of the Holy Apostles at Constantinople |
Eleousa |
(Greek) Icon of the Virgin and Child where the baby Jesus presses His cheek against the cheek of His Mother. |
Elijah Moscos |
Icon Painter - 17th Century Italo-Greek |
Emmanuel Tzanes |
Icon Painter - 17th Century Italo-Greek |
Emmanuel Tzanes Victor of Crete |
Icon Painter - 17th Century Italo-Greek |
Emmanuel Zanfurnaris |
Icon Painter - 17th Century Italo-Greek |
Encaustic |
An ancient technique of mixing paint with hot wax |
Ephraim Syrus |
Monastic Writer |
Epiphanios of Salamina |
d. 403. Vehement in denouncing Religious painting Bishop of Salamis (Cyprus). In the fourth Century he tore down a holy image painted on a curtain |
Episkepsis |
'Overseer' |
Epitaphios |
Byzantine liturgical cloth used to cover the coffin of Christ for the Good Friday procession. |
Eucharistic Synaxis |
Mass. |
Eudocia |
Wife of Emperor Theodosius II. She sent an icon painted by Luke to Pulcheria, daughter of Emperor Arcadius, who lived in Constantinople until 453 |
Eusebius of Caesarea, Bishop |
d.339. Writer of 'History of the Church' |
Exarchate |
The district remote from Constantinople presided over by a governor owing allegiance to the Emperor |
Exedra |
An open recess |
Exonarthex |
The outer narthex of a church, entered first |
Extrados |
Outer curve of the voussoirs of an arch, normally concentric with the intrados. Also applies to the upper surface of an arch or vault where visible. |
Fayum |
Settlement on the Nile Delta where the famous Roman funerary portraits were found |
Fenari Isa Camii |
the 'Monastery of Lips, Istanbul. |
Fresco |
A painting done in watercolour on wall or ceiling, usually while the plaster is still wet |
Frigidarium |
the Cold room of a Roman Bath |
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February 20, 2000